Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’

In the 1990s, Mara Wilson was a beloved child star who captured the hearts of audiences worldwide. Her roles in iconic family films like Mrs. Doubtfire and Miracle on 34th Street made her a household name. But as Mara grew older, the adoration she once received faded, and her career in Hollywood came to an abrupt halt. Now 37, Wilson looks back on her experiences, reflecting on how the entertainment industry’s fixation on youth and appearance pushed her out of the limelight.

“Hollywood was burned out on me,” Mara explains. “If you’re not cute anymore, if you’re not beautiful, then you’re worthless.” Her words paint a stark picture of the challenges she faced as she transitioned from a child star to a teenager in an industry that prioritizes looks over talent.

A Promising Start

Mara’s rise to fame began in 1993 when, at just five years old, she starred as Robin Williams’ youngest daughter in Mrs. Doubtfire. Her performance won over millions, establishing her as one of the most talented young actors of her time. Prior to her breakout role, Mara had appeared in commercials, but this film cemented her status as a star.

“My parents were proud of me, but they kept me grounded,” she recalls. “If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid.’” This grounding kept her humble even as her fame grew.

A year later, Mara starred in the 1994 remake of Miracle on 34th Street, taking on the role of Susan Walker, a character originally played by Natalie Wood in 1947. Mara’s portrayal was heartfelt and endearing, further solidifying her reputation as a talented young actress. Reflecting on her audition, Mara once said, “I performed my lines for the production team and mentioned that I didn’t think Santa Claus was real. But I did believe in the tooth fairy and had named mine after Sally Field.”

From Stardom to Struggles

In 1996, Mara took on her most iconic role as the title character in Matilda. The film, co-starring Danny DeVito and Rhea Perlman, showcased her ability to blend intelligence and emotion on screen. However, that same year, tragedy struck when her mother, Suzie, passed away from breast cancer. The loss deeply affected Mara.

“I wasn’t sure about my identity anymore,” she shares. “There was the person I was before, and then there was the person I became after. My mom’s absence felt like this huge shadow in my life.”

The grief, coupled with the pressures of fame, left her feeling drained. Despite her widespread recognition, she recalls that being “very famous” made her feel “the most unhappy.” At just 11 years old, Mara played her final major role in Thomas and the Magic Railroad (2000). Reflecting on the experience, she says, “The characters were too young. I had a visceral reaction to the script—ugh, I thought. How cute.”

The End of an Era

Mara’s decision to leave Hollywood wasn’t entirely her own. As she entered her teenage years, she no longer fit the mold of the “cute” child star that the industry adored. Puberty brought changes, and roles became scarce.

“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she recalls. This shift took a toll on Mara’s self-esteem. “I used to think that in Hollywood, if you’re not pretty or attractive, then you don’t matter at all. I connected that idea to the end of my career.”

Her departure from acting marked the end of an era, but it also allowed Mara to escape the pressures and scrutiny of fame. However, she admits, “Even though I was kind of tired of it and Hollywood seemed tired of me too, it still hurts to be turned away.”

Reinvention as a Writer

Today, Mara has found a new path as a writer. In 2016, she published her first book, Where Am I Now? True Stories of Girlhood and Accidental Fame. The memoir offers an intimate look at her journey from child stardom to a quieter life out of the spotlight. Through essays, she reflects on the highs and lows of her career, sharing insights into her experiences growing up in Hollywood.

Mara also penned Good Girls Don’t, a memoir that examines the challenges of meeting societal expectations as a young actress. In one essay, she writes, “Being cute only brought me sadness. I always believed that I would be the one to stop acting, not the other way around.”

A New Chapter

Now 37, Mara has embraced a life far removed from the glitz and glamour of Hollywood. Her journey serves as a poignant reminder of the harsh realities of fame, particularly for child stars. While her acting career may have ended, her resilience and creativity continue to shine through her writing.

What are your thoughts on Mara Wilson’s story? Share your perspective and spread this story to inspire conversations about the challenges of growing up in the public eye.

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